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The offer of courses, workshops and group lessons on the didgeridoo aims at sharing tools and techniques of study of contemporary music useful for those who approach the didgeridoo (the sound of the didgeridoo, basic techniques and circular breathing), to whom is familiar with advanced techniques, to those who have deepened the traditional aboriginal techniques, and also to those who simply want to discover a deeper knowledge of themselves through sound meditation.
To support the musical path will be given the knowledge to play the didgeridoo in different musical contexts (only didjeridoo, contemporary didgeridoo, musical ensemble musical earings with tempered instruments, groove, and studies on different European musical genres and experiments in world music), used materials videos and graphics, deepened the innate knowledge through the study of the voice (harmonic singing, conscious breathing and improvisation with extensive techniques), and elaborate personalized paths with respect to their musical research.

The era we live reflects a saturation of possibilities linked not to a shared cultural concept, but to several cultural realities that coexist.
Being able to understand these different realities, and overcoming the discomfort in the conflict with what is not known, requires a creative effort in defining a new logic of thought, and this attitude is also very popular in the labor market.
Creativity is one of the key competences in the field of art and music, and it allows the individual to generate new forms of language useful in the field of communication and emotional support.
The didjeridoo, one of the oldest musical instruments, allows you to work on a single tone and at the same time through timbre variations enhances the expressiveness and the emotions.
This tool, traditionally linked to Australian aborigines, is increasingly used in purely musical and non-musical areas, such as music therapy and other therapeutic disciplines often aimed at a greater awareness of being well.

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Born in Bari in 1984, he has cultivated an interest in art and music at the Liceo artistico in Bergamo and the Academy of Fine Arts inBrera in Milan.
In 2008 he wrote a his final exam at the Academy of Fine Arts, was a report on the design of Sound Sculpture was a further confirmation of the musical path: didgeridoo player since 2003, still focused in "contemporary" music production and in the organization of social gathering and musical meetings (Didjin'Rome, KeepOnDidjin, Psychedelic night)

Actually he is involved in 5 musical projects:

SHAMANIC – didgeridoo solo (contemporary music) \\\ tribal
DJANGGAWUL – with Francesco Mascio, Simone Mème \\\ visual noise psy jazz
PRIMITIVE FIELD – with Roberto Bellatalla, Ivan Macera\\\ free
OHM SWEET OHM – with Adriano Lanzi, Niccolo Fritz \\\ trip hop
THUMB – with Giuliano Lucarini, Emanuele Tomasi \\\ tribal

Parallel to musical projects, he promotes musical research with four main activities:
* Promotion of Italian events related to didjeridoo: Facebook group DIDJEVENTI
* Yoga practice with didjeridoo music: Facebook group Do you YOGAdoo? in collaboration with Benedetta Parroni
* radio #DIDJERITO (podcasts on mixcloud.com)
* musical meeting #KeepOnDidjin


Music

Musician since 2003, specialized in didjeridoo, Aboriginal wind instrument, who teaches in Rome, but also throughout Italy in various holistic centers, music schools, associations and cultural festivals (organizing worshops, group courses and individual lessons).
In particular, his musical research concerns contemporary music through primitive instruments, and is not connected with Aboriginal culture (but he had a deep respect for aboriginal people).
He studies the harmonic singing and the trumpet in a complementary way.
Since 2010 he start to produce electronic music with Ableton Live and is engaged in electroacoustic research ranging from sound meditation projects, to radical improvisation, but also real musical compositions with other instruments.

The musical path led him to perform in prestigious places such as La Casa del Jazz, Festival I Vicoli del Jazz, Festival EarthGarden (Malta), Rhythmyk Festival, Festival Tolfarte, Festival Sant'Arte, Festival of Scorpio, Theater of the Lido Jazz Fest, Invisible Show (M-Hotel), Crack Festival, Handpan & Global music Festival, Terra Matta Music fest 2018, Clamore Festival, Vibe Connection didgeridoo Festival, Radio Citta Aperta Music Fest, Ferrara Buskers Festival, ICULT-Bic Lazio Le Custodi dell'arte (under the patronage of the Australian embassy), the regional finals of Arezzo Wave Lazio (with Malatesta Analogic Tribe - 21 May 2016) and major clubs in Italy, such as Circolo Randal, Forte Prenestino, Circolo H, Dal Verme, Fanfulla 5 / a, 30formics, Scuola Popolare di Musica Ivan Illic, Monk club, Largo Venue, Dissesto, Wishlist, Locanda Atlantide, Circolo Klamm, Ex Asilo Filangieri, Spazio Polaresco, Edonè, Circolo della Malpensata, Ink Club, Sottoscala 9, Esc Atelier, Macao, Strike, Circolo degli illuminati, Groovefarm, Blutopia, Ex Snia, La Strada, Villaggio Globale and many others .
Currently he has collaborated with great artists such as Stephen Kent, Mauro Tiberi, Ivan Macera, Roberto Fega, Roberto Bellatalla, Francesco Mascio, Simone Meme, Emanuele Tomasi, Giuliano Lucarini, Farzaneh Joorabtchi, Omar Lopez Valle, Gabin Dabirè, Dj Gruf, Diego Pandiscia, Dj Muf, Totter Todd Giovanni Abei, Jacopo dell'Abate, Davide Cipolla, Francesco Crovetto, CIOZ, Dario Rossi, Marco Brezza, Marco Colonna, Ludovica Manzo, Jack d'Amico, Danilo Desideri, Federica Michisanti, Nicolò Melocchi, Gianni Placido, Amptek, Ugo Vantini, Roberto Musto, Marcho Gronge, Federico Leo, Giacomo Ancillotto, Veronica Emer, Remo de Vico, Cristian Giustini, Alessandra Cristiani e Maddalena Gana.

ABOUT ME

  • About me I'm Christian Muela, didgeridoo player since 2003, musician and sound researcher who uses primitive instruments in contemporary musical languages. Besides taking care of teaching didgeridoo, I play and produce music collaborating with different musicians in projects like Shamanic, Ohm Sweet Ohm, Primitive Field, Djanggawul, Thumb.
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PROJECTS The research of the contemporary music through the ancient sound of the didgeridoo

Ohm Sweet Ohm

ohm sweet ohm

Trip hop music and electronic music with...

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Primitive Field

primitive field

Radical improvvisation through extended research of sounds...

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Shamanic

shamanic

The sound of didgeridoo and the meditation...

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Djanggawul

djanggawul

Soundscapes with didgeridoo & guitar, leaded by...

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Thumb

thumb

Giuliano Lucarini – Kalimba and percussions +...

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